It was wonderful to celebrate with Sue her appointment as Professor of New Testament and Early Judaismhere at Newman, and to recognise the quality of her scholarship and field of research. The theme of Sue’s inaugural professorial lecture was an often overlooked and little known 2nd century BCE text attributed to Ezekiel the Tragedian: The Exagoge. Written in iambic trimeter, it is a retelling in dramatic form of the biblical story of the exodus from Egypt. Sue’s presentation demonstrated how this text is a highly instructive example of the ways in which a text can be appropriated and adapted for different audiences and/or contexts. The lessons we can learn from the Exagoge can shed light on the reception and re-use of Hebrew and Christian biblical traditions throughout history.
Click on image to view Panopto recording of Sue’s lecture
What is the Jewish Pseudepigrapha and why is it important? What are these texts about and who read them? Susan Docherty (Head of Theology and Professor of New Testament and Early Judaism here at Newman University) answers these questions in an interview on the Voice of Israel , where she discusses her new book The Jewish Pseudepigrapha: An introduction to the literature of the Second Temple Period(SPCK, 2014).
Professor Susan Docherty Image: Newman University
Talking to Voice of Israel’s Eve Harrow, Sue explains how the significance of this often overlooked collection of Jewish texts is so important to our understanding of Second Temple Judaism and early Christianity.
The end of the year is almost upon us. The University has been decked out in all its festive finery and now the corridors and classrooms are emptying as students head homeward for Christmas vacation…
Christmas tree in the atrium at Newman University
OPEN SEMINAR PROGRAMMES
It has been an exciting year for the NRCBR at Newman. We started by launching a programme of PUBLIC seminars in the spring.
The title of the series was ‘Encountering the Gospel through First-century Eyes‘. Over five seminars we explored the prologue of Mark in its first-century Jewish and Graeco-Roman setting and we began to discover an extremely provocative and very challenging voice. Continue reading →